Archive for October, 2008

A Guide to Specialty Art Paper

Friday, October 31st, 2008
arts and crafts
Michaela Blassnig asked:


Creativity is a tricky endeavor. To get the right look, you need the right materials. As any artist knows, anything can serve as a canvas, but for the truly exquisite look, you need something special. In this short guide, we’ll explain some of the art and craft products available and some possible applications for these products.

Curious iridescent paper is certainly one of the oddest products on the market today. Normally, embossed iridescent paper is not so much a paper, but more like plastic or a thin, flexible and colorful metal, and as such, is well suited for sculpting and other crafts. Iridescent paper is often made by foil stamping and lasers on light-sensitive chemicals, and can only be used as a writing media with dry-erase or permanent marker. Curious iridescent paper, however, will absorb ink and can be used for any variety of projects from drawing, painting and writing to crafts such as collages, paper mache sculptures and scrapbooks with a little extra flair and texture.                                          

Vellum makes a unique, translucent, and slightly iridescent paper for accenting crafts. Originally made from animal skin for scrolls, vellum has remained in common use to this day, especially in England, where British Acts of Parliament are still printed on nothing but vellum paper. Most modern vellum imitation is made from acid free cotton and is perfect for calligraphy and other projects requiring an antique or rustic look. Thin vellum paper and glue make a beautiful laminate for crafts such as scrapbooks and leaf catalogues.

One of the medium vellum cardstocks of note is Bristol paper, a smooth, heavy pasteboard of fine quality. Originally made from pasted rag paper in Bristol, England, this hard stock is often the choice paper for technical drawings, but offers intriguing creative possibilities. Bristol is unique in that it is thick enough to have two working surfaces “front and back” that will not interfere with each other and each side can serve as its own writing or drawing surface. Artists working with friction-based media, such as crayon, chalk, or charcoal will want to use a rougher texture board, while smooth finishes are generally more suited to other types of media, such as inks and watercolor.

For a breathtaking and unique look, silk paper provides a strong yet soft alternative to more mainstream options. Silk crafters have been making paper since the 2nd century, B.C.E., and it has stood the test of time. Originally a product of China, it is the oldest of all luxury papers and is still in major use today throughout the world. It is truly amazing to witness the limitless creative uses artists and craft persons have found for silk paper. Machine embroidery, three-dimensional sculpture, jewelry, quilting, book coverings, collage, and mixed media are just a few of the possibilities, and the list is limited only by the artist’s imagination.

Globalization and increased efficiency in paper production opens up a whole new world of possibilities to today’s artist. While at times the sheer bewildering array of new papers may seem overwhelming, for the professional artist or graphic designer who is willing to take the time to explore such oddities as McCoy silk papers, Curious iridescents, or Springhill vellum bristol, the results can be quite gratifying.                            

This is Michaela from www.TheArtCanvas.net. Thanks for reading this article on Specialty Art Papers! If you’d like to find out more, visit my website at www.TheArtCanvas.net.



Vivian

Making your Craft Show Booth Profitable

Friday, October 31st, 2008
arts and crafts
Amarendra asked:


Making Your Craft Show Booth Functional and Profitable

Creating the right booth involves a variety of aspects and you need to take these all into consideration when you are buying equipment and creating a art and craft show booth display. Getting the right equipment and knowing how to use it will make your craft show booth stand out from the crowd. With a little imagination and these tips(like festival guide) create the art and craft show booth that will be visually appealing and help you make a profit.

First Things First

The first thing you need to do is purchase the right equipment.Get the tent you want by knowing what the standard is for the festival you plan to vend at. Most tables that you can buy that are cheap, light, and easily transportable are generally not tall enough. You can use them anyway, but adding some PVC piping to the legs can give them a foot or foot and a half that will make it easier and more visually appealing for customers to view your wares. You should always have a chair with you and factor in where you will be seated. Sitting down in the back, but remaining visible can be a good way to be accessible to your customer’s questions without scaring off timid shoppers. Come prepared with all your signage and any supplies or tools you may need for the show.

Creating A Great Display

Your art and craft show booth needs to have its own feel and theme to set it apart from the rest. Use fonts on your signage that represent the feel of your product. Choose fabric and materials that complement your product. Give your tables more height with portable shelve or other decorative display items. Many craft shows will want you to cover the entire table to the floor with fabric. You can buy pre-made covers to achieve this effect or create your own. White sheet material is a cheap and effective solution for creating your own table covers. You can purchase lots of great display items from retail fixture companies. Just remember that everything you use in your craft show booth including your display, your products, your equipment, and your supplies are all things that you’ll have to lug around. Keep in mind the weight of certain objects like shelves and tables before you buy them. Keeping your craft show booth simple and light will help you to save your time and energy for making sales.

Practice Makes Perfect

After you have a tent and all your other equipment, then you should make a mock-layout of your craft shows booth. You can set your tent up in your yard to get the full craft show booth feel or just market your floor with masking tape to set up inside your house. You can use the tables you’ve bought and any other displays to work on your craft show booth. It is very important to practice your craft show booth set-up at home and to perfect it from the comfort of your home. As much as you set up and practice, you are you are still always free to change your set up and perfect it over time. Most festival vendor will tell you how much their craft show booth has evolved over time. It takes a lot of practice and energy to discover what works best for you. Take notes from other craft show vendors and use your imagination and talent to create a visually appealing craft show booth.



Caroline

What do you call those arts and crafts toys?

Wednesday, October 22nd, 2008
arts and crafts
kmsca5 asked:


The one where they have like little ridges around them and you can use a pencil or pen and make these like cool designs. They come in different shapes, sizes and are made out of plastic. I want to buy some for my daughter but can’t seem to remember what they are called. Please help thanks!!
I left out some stuff. You put your pencil through the small holes and you go round and round and it comes out to a real neat swirly designs. I hope this helps.

Curtis

What do you like to buy at arts and crafts shows?

Monday, October 20th, 2008
arts and crafts
JD asked:


What kind of items do you most like to buy at these kind of shows?

Gertrude

Kid Crafts: Beading for Beginners Part I

Saturday, October 18th, 2008
arts and crafts
Marcel Vigh asked:


Three or four years ago, I was a bead fanatic. I loved beading and I made bead animals all the time. After I had completed more than hundred bead animals and creatures, I gave it up. I got bored with. A few weeks ago, it came to my mind and I decided to start beading again. After I’ve made some animals, I noticed that I still love beading.

It’s just fantastic!

So, let’s get started!

First, you’ll need:



beads

wire (or nylon fishing line)

pattern

By the way, what do you use, wire or nylon fishing line? Formerly, I used fishing line, because I found it easier to use. And it’s easier to use indeed, because its end won’t kink. However, it has no definite shape. The animal won’t stand on its feet. The wired animals will stand. You can bend them as you like. And it’s a great advantage! So, I would suggest the wire, but very thin wire.

Important

if you’re making an animal that has to be round, 3D or plump (like a penguin), always use nylon fishing line, because the wire will be almost completely flat.

I have a good example to prove this:

Once, I decided to make a bead owl, which was rounded on the example picture.

After I finished it (using wire), it looked like a bat and not an owl. It was completely flat.

I was very angry and I scolded the book. Later, I read the text beside the owl which said, that use nylon fishing line.

The next day, I made the owl again, using nylon fishing line. When I finished, it looked like exactly on the picture. It was fully round.

So, use fishing line for rounded and 3D animals.

And what about beads? I’ve been using seed (small) beads for the body of the animals since I started beading. There are also long beads (I don’t know the proper name), use them for wings and sometimes for legs.

Seed Beads:

These are the basic beads that we use for beading. They usually make up the body of an animal. Nowadays, you can buy them in whatever color, size and shape you want. I use quiet small (I don’t know the exact size) and round seed beads.

Bigger Beads:

These are much bigger than the seed beads. I usually use them for the eyes of an animal. However, use them whenever you want to highlight something.

Long Beads:

The size of the long beads is between the seed beads and the ‘bigger beads’. I use them for wings, legs and sometimes for some other parts of the animal’s body.

So, in the next part, I’m going to write about the basic beading techniques.

To learn more about it click here!

For other kid craft ideas visit: Marcel’s Kid Crafts.com



Mildred

Where can I find more decorative lighting for my arts and crafts house?

Friday, October 17th, 2008
arts and crafts
gardenpartygirl asked:


I want a more formal look than typical bar lights.

Marcia

Arts and crafts, what’s some good ways to sell your products?

Tuesday, October 14th, 2008
arts and crafts
White wolf asked:


I make flower arangements and wreaths. I sell allot of them in my neighborhood.

Delores

I want to sell my arts an crafts from home. Do i need to have a tax id number for that?

Sunday, October 12th, 2008
arts and crafts
Angela B asked:


I know that i need to have a peddler license, but was wondering if i need a tax identification number too? I also sell avon too.

Jay

Top Folk Art Designers

Sunday, October 12th, 2008
arts and crafts
Hal Lewis asked:


Folk art can be described as a wide range of objects which not only reflect the craft traditions but also reflect the traditional and social values of various social groups. These social groups go back to thousands of years ago and only few displays of their art work is left in the world. Generally Folk art is made or produced by people who have very little and in most cases, no academic artistic training. They do not use any kinds of modern day techniques and styles to their art work. They also do not have the desire to emulate art in its finest form. Folk artists usually use established techniques and styles which go back thousands of years for a particular region or culture. Folk art can be painting, sculpture and decorative style art forms. Today we also regard utilitarian objects like tools, utensils and costume as a part of folk art. Traditional art forms are very different from the folk art style. It is distinguished on the basis of the fact that traditional art is collected today based on its artistic merit; it is never really bought for the sake of it being an art form. Portraits and paintings are all a part of the traditional art forms. Folk art does not show any influence of movements or fine art circles. Folk art excludes works of professional artists which is sold as fine art to the society’s art patrons. Native art, traditional art and popular art however do overlap with folk art and is interchangeably used for the same at times.

One of the most popular folk art designers still crafting these works is Vaillancourt. Ms. Judy Vaillancourt has been hand-crafting unique collectible chalkware figures since 1984 and is one of the last remaining crafters still designing by hand. These days, most of these figurines are created with computer software and machines. The fact that Vaillancourt’s designs are still done by hand make their demand high and prices are not cheap. The few remaining companies which make this folk art allow visitors to tour behind-the-scenes. In these work shops the artists hand paint different versions of Santa Claus and Father Christmas figures. Vaillancourt Folk Art produces many styles of collectible Santa’s, rabbits, and even Antique chocolate and ice cream moulds. Another popular designer is Christopher Radko. His popular designs are collected by the rich and the famous, including: Whoopi Goldberg, Barbara Stresiand, Elton John, and Arnold Schwarzenegger.

Various countries have their own style of folk art. Choosing top folk art designers from any one region is a nearly impossible task with many of the designers being from different regions. Folk art represents objects crafted by the traditional life style, culture and training of different social groups and geographical regions. Without any academic courses to train in their art these people master their folk art in their own way. The folk artists use and implement traditional styles and techniques which are unique to their region and culture. This is one of the most attractive features of genuine folk art.



Tony

The Many Benefits of Martial Arts

Tuesday, October 7th, 2008
arts and crafts
Jason Oconnor asked:


A few years ago I started to wonder if martial arts would be something I could do and benefit from. I knew next to nothing about it except maybe some fragmented memories of scenes from the movie The Karate Kid. But I knew I wanted to be able to defend myself in case anything ever happened. I didn’t really even know what “anything” was; I just knew I wanted to have more confidence. I also thought that maybe karate would instill some much-needed discipline in me. Finally, I figured it would be a better and more interesting way to exercise than moving weights up and down at the gym and running on a treadmill like a hamster.

So I took the plunge. I signed up for Kenpo Karate at the local dojo (which literally means “place of the Way”, or “place of practice”). I had no idea how many other benefits karate offered.

I started to learn how to defend myself indeed, but I also learned that taking on something like karate is less a project and more a journey. I also learned I needed some serious patience. If I thought I was going to be able to fend off a would-be mugger with a knife after a few karate sessions, I was sorely mistaken. I soon realized that if I was to expect tangible results, I was going to need to dedicate myself for a while and develop infinite patience.

But it dawned on me that anything worthwhile takes hard work and time, so I hunkered down and started training regularly. I soon realized that what I thought was going to take months was really going to take years. So my patience developed.

My muscles developed too. In fact, I was sore in places that I didn’t even know existed. From my thumbs to my ribs, I found muscles that hadn’t ever been flexed before. After a half a year I started getting into the best shape of my life, and I had hardly noticed because I was concentrating on learning the craft.

My discipline began to grow as well. Often I just didn’t want to go, but I forced myself and always felt better for it afterward, always. Our sensei (teacher) is a blackbelt and former military man, so his brand of teaching certainly involves discipline, but never more than anyone can handle. Moreover, to learn the various karate moves and forms, I began to develop discipline over every miniscule movement of my body. And to perform each of the moves properly, you need to have supreme control over your mind as well as your body. This takes years of practice, but even the novice benefits from each attempt.

My confidence continued to grow, but not just confidence in fighting, but confidence in my physical abilities, and each time I train, my confidence develops even further. I have more faith in myself, I trust myself more.

Another benefit of training in the martial arts is that one begins to grasp the difference between the goal and the journey, and why the latter is so much more important. In this day and age of hyper-consumerism and quick fixes and TV, it’s easy to think that the goal is everything, regardless of how you get there. Capitalism stresses achievement and profits at the expense of the process. TV shows and commercials wrap everything up neatly and cleanly by the end, without much real struggle. And we are bombarded with advertisements of immediate relief or riches or good looks if we “just buy this product”.

But what about the process? What about the journey? What about the lifestyle? Everyone’s in such a rush to get somewhere or get something that many of us Westerners miss our own lives and each of the present moments because we’re so concerned with the future. Training in karate slows one’s life down a bit. It teaches one how to enjoy the process, not the goal. It’s a life long study, and no one reaches blackbelt status quickly. That’s the way it should be.

Once you learn to enjoy the process, to enjoy the intrinsic goodness of practicing and training, you begin to grasp one key to life. The journey is more important than the goal.



Jonathan